#CoverReveal #TheSecret by KL Slater @KimLSlater @bookouture

I am delighted to be joining in with K L Slater’s cover reveal for her upcoming release, The Secret 🙂  
Many thanks to Kim Nash, at Bookouture, for the opportunity to share such a fabulous cover!

THE SECRET by KL Slater

You turn your back for a minute. And now your son is in terrible danger …

Louise is struggling to cope.  As a busy working mum, she often has to leave her eight-year-old son Archie at her sister Alice’s flat.

Alice and Louise used to be close.  But there’s a lot they don’t know about each other now – like the bottle of vodka Louise hides in her handbag, Alice’s handsome new friend and the odd behaviour of her next-door neighbour.

Archie is a curious little boy. He likes to play on his own at his auntie’s flat until one day when he sees something he shouldn’t. Now he has a secret of his own.  One he can’t tell his mum. One that could put him and his family in terrible danger.

The most gripping psychological thriller you’ll read this year from the top five bestselling author K.L.Slater.  Perfect for fans of The Girl on the Train and Gone Girl.

Check this out!

⇓⇓⇓

 

The Secret cover

What readers are saying about K.L.Slater:

Omg! Slater is amazing! She is such a talented writer! Up to the very last page you will be shocked! Her cast of characters are so real!!!! Such a memorable book!… The end will have you gasping in disbelief! Whoa!!!!! 10 Stars!‘ Two Girls and a Book Obsession, 5 stars

‘One of the best psychological thrillers I’ve read… nothing short of stunning.’ Nigel Adams Book Worm, 5 stars

‘Keeps you guessing until the very end! I loved every twist and turn and couldn’t stop reading because I was dying to know what the big secret was … will keep you up late to find out the truth!Buried in a Book

One word – spectacular! This author gets better and better… This book had me on tenterhooks and there were times I forgot to breathe… She has exceeded the high standards she set in her previous books. Brilliant! An amazing, addictive, thrilling, unputdownable, fabulous read.’ Renita D’Silva, 5 stars

Twisssssss-ted! This book really played with my headspace… thanks for that K.L.! This book is a roller coaster ride of emotions and secrets and spookiness — when I finally finished it at 3.45 am I was so nervous I checked the locks three times.Book club pick for May? Picked!!!… A solid, five-star book!!!’ Janet’s Book Corner, 5 stars

‘She has done it again… I loved this book!! It had a great plot that was woven so well… 5 stars from me – very enjoyable and an addictive read!’ Donna’s Book Blog, 5 stars

The kind of book that you pick up and can’t put down again until the last page…I thought I had figured out everyone and everything but boy, was I wrong! This is the kind of book that you haunts you… an addictive, suspenseful, character-driven thriller… without a doubt an entertaining, compelling read.’ A Haven for Book Lovers, 5 stars

Once started I couldn’t put it down. Excellent characters, full of suspense and so well-paced it is a must-read for anyone who like psychological thrillers… An excellent read and I highly recommend it.’ Worcester Sauce

Always look forward to reading K.L. Slater’s novels… She certainly knows how to grab your attention from the start and keeps you there until the very end… Before I knew it, I’d devoured this book in one day… An addictive read full of suspense and mystery.’ Chelle’s Book Reviews

A huge HIT. I loved it and couldn’t read quickly enough … The reveal Reviewer 

Pre-order now…..

 


About the author…..

KL Slater


Kim is the bestselling author of psychological crime thrillers ‘Safe With Me,’ ‘Blink,’ ‘Liar’ and ‘The Mistake.’ Her latest thriller, ‘The Visitor’ was published 2nd March 2018 and is now available in ebook and paperback formats, online. Please note the Audible version is coming very soon, date tbc.

For many years, Kim sent her work out to literary agents and collected a stack of rejection slips. At the age of 40 she went back to Nottingham Trent University and now has an MA in Creative Writing.

Before graduating in 2012, she received five offers of representation from London literary agents and a book deal which was, as Kim says, ‘a fairytale … at the end of a very long road!’

Kim is a full-time writer and lives in Nottingham with her husband, Mac.

She also writes award-winning YA fiction for Macmillan Children’s Books, writing as Kim Slater.

Author website: www.KLSlaterAuthor.com
Twitter: @KimLSlater
Facebook: KL Slater Author

Tale Of A Tooth by Allie Rogers @Alliewhowrites #BlogTour #Extract & #Giveaway @Legend_Press

Today I have the pleasure of joining in with Allie Rogers’s Tale Of A Tooth blog tour! 🙂

Tale Of A Tooth

Four-year-old Danny lives with his mother, Natalie, in a small Sussex town. Life is a struggle and when they are threatened with a benefits sanction, salvation appears in the form of a Job Centre employee called Karen. But Karen’s impact is to reach far beyond this one generous gesture, as she and Natalie embark on an intense relationship. Told in the voice of an intelligent, passionate and unusual child, Tale of a Tooth is an immersive and compelling look at the impact of domestic abuse on a vulnerable family unit.
A literary/YA crossover dealing with themes of LGBTQIA+, alcoholism and domestic abuse – Told from the unique perspective of a child raised by a single mother
Published by Legend Press on 19 APRIL 2018

Extract…..

CHAPTER TWO

Jane in the library is the goodest person of the world except me and Meemaw. Jane is wet big eyes dark silvery hair crinkled face. Her voice is rumply-soft quiet like Meemaw’s velvety coat. When Jane talks her eyes go by the floor not staring and we talk of dinosaurs taking turns. But today no Jane. No Jane in the library and a hurt in my tummy of crying coming and four times of swallowing to keep it down inside. I did pulling but no words. Meemaw knowed it was wanting Jane. Just stay calm, poppet. If she doesn’t come, I’ll ask. Meemaw was still the grey of yesterday. On this morning she had smoked two rollies out the window. No milk in the fridge so her tea a dark dark potion. No milk for krispies. Just crust for toast and crust is too fat. I squeezed my toothpaste. Too much, Danny! Come on, share with me. Meemaw swooped in and stealed some on her brush. No Meemaw! I throwed my brush down then gone under the sink. Fluffy of grot on it. Meemaw shouted. We never did teeth. Get your shoes on then! Christ! Then no Jane in the library. I sitted on the spinny chair by the computer did kicking the underneath. Meemaw taked my hand pulled me off. Stop it! Come and look at the books! No! Then Jane. Jane sudden. Smelling right of Jane.
Danny! I hoped you’d be in, I’ve got a surprise for you. Two hands Jane holded up a big book. This came by in a box of old stock being weeded out of the stacks and I thought I knew someone who might like to have it. In two hands right out to me because she meaned me the someone. Walking with Dinosaurs. A book but like on YouTube. The actual thing. I taked it to the table heavy as treasure and thumped it open. What do you say, Danny? Chapter one new blood. Danny, what do you need to say to Jane? Chapter one new blood. Thank you so much, Jane. Thank you so much Jane. You’re very welcome. I turned to the back because of index that Meemaw showed. Up and down the letters my finger runned the good good words. Coelophysis Ornitholestes Troodon. I turned the pages fast fast. But remembering of careful. Careful careful of the pages Danny. Jane her hand near not touching. That’s right, Danny. You’re a careful boy with the books. I finded Troodon showed it and words underneath. See Jane! Fast and intelligent a deadly combination a deadly combination. I see. I finded Spinosaurus showed Spiney. Spinosaurus! See! I putted Spiney’s face on the actual word. Danny, love, time to go now. Take the book to the machine. No, no, you don’t understand! He can keep that one. It’s being chucked out anyway. It’s too tatty for stock. We’d only chuck it out. I looked up. Are you sure? Do you hear that, Danny? You can keep it forever! Quiet. I was wanting the book mine forever. I was wanting the book to live in the library. Library is borrowing and the books on the shelf. Orange label of dinosaur and prehistoric.
Jane crouched down not too near. Speaked by the side of me quiet. Would you like to keep the book, Danny? I didn’t like it then the keep or not. You can keep the book, Danny. Or you can leave it here. You can choose that. He might have a bit of trouble deciding, Jane. Decisions can be tricky. Shall we take the book home, Dan? Library books live in the library. I can bring it back sometimes. Sometimes to go on the shelf. Dinosaurs and prehistoric. But it’s coming home with us now, yes? I didn’t say more words. I think that’s a yes. Thanks again, Jane. Come on, Danny love, we need to go now. Meemaw going too fast. Bring it back sometimes. Jane speaked slow. Yes, you could do that, Danny. Bring it back sometimes for a visit. But always take it home again, won’t you? Because it’s your book now. Let’s write your name in it, shall we, to save confusion? Save confusion. Jane getted a pen. Can you do your own name, Danny? I taked it to do my Danny name she putted White. Then she writed personal copy withdrawn from stock. I readed each word she writed of the pen. Meemaw maked a sigh. I looked. Browning to brown. I don’t mean to be rude, and thanks so much, Jane. But we have to get going now. My coat twisted arms inside out hood gone upside down. I was busy with sort it out. Then I heared words of quieter. They don’t want you to hear of it. He’s got astonishing reading skills for four, hasn’t he? Meemaw too fast again grabbed my hand. No snatching! It’s not a big deal. It just comes naturally for him. Thanks again! Goodbye! Say goodbye, Danny. Goodbye.
I thinked why rushy rushy. Book was too heavy so Meemaw taked it for the bag. We’ve got to get to the Job Centre again, love, remember? No… Come on. You can look at your book when we get there. *** Outside the job centre we stopped. Better than going in. Right, I’ll text her. Wait just here, Dan. I did balancing two feet careful on the little wall of the flowers. Putted Spiney’s face inside the trumpetty daffodils. Spiney telled me whole world gone golden Danny. He whispered it very quiet in my mind. I taked him one to the next of five daffodils. Walked slow away of Meemaw. Danny love, come here! The Karen lady had come. Karen lady wearing a blue shirt of tangled flowers on it. Her hair spiked up. Perfume strong as knifes. I holded my nose. She touched Meemaw again right away touched her shoulder. Then she kissed Meemaw’s face. Only I do. Only I kiss Meemaw. Hi Karen! Karen pushed her spikes of hair they pinged up spring. Pink sticky again her face. Hi Natalie! Did you get my text? I just saw it now. Thank you so much! I can’t tell you how much it means. Thank you! Oh, it’s nothing. There’s discretion. She owed me a favour anyway. Well, thank you. Really, honestly, it makes such a difference. Well, I could tell you were decent. It’s not like you were taking the piss. Not like some of them. Meemaw didn’t take her turn then of talking. We take turns Danny. Meemaw looked over by the roundabout Karen smiled at me I looked. Still holded my nose. Meemaw saw then. She pulled my hand down. Well, look, I’ve only got fifteen minutes, really. Shall we get some drinks?
Meemaw holded my hand hurry hurry to the Costa. We don’t ever go too expensive a bloody joke those prices Danny. We sitted on silvery chairs a round table of one silver leg. What would you like? Coffee? Tea, please. And what about you, little one? I didn’t say. Oh, he’s fine, Karen. He doesn’t need anything. Right, back in a tick then. She went inside. No holding your nose around people, Danny, remember? It can hurt feelings. And Karen’s really helped us out. She’s really done us a favour. Karen came back with drinks. Three big cups. I got him a milkshake. Didn’t seem right not getting him anything. Oh… thanks… Meemaw taked the cups. All papery cups and lids. My one a straw stucked up out of its middle. I looked at it not touching. Meemaw maked a rolly. Messy one of tobacco squiggles escaping. Karen didn’t smoke she watched Meemaw. She watched Meemaw close like trying to learn of it. She watched Meemaw’s hands Meemaw’s mouth. I watched her eyes go zip zip about. Meemaw speaked not looking at me still looking at her rolly. Try your milkshake, Dan, eh? I did just in case of nice. But it was yuck. A painty thick and strongness. No more. I counted seven cars green or nearly. Green is rare. So, what you got planned for the rest of the day then? Oh, nothing much. He’s just got a new book, haven’t you, Dan? They were chucking it out at the library. Show Karen. I climbed down went in the bag and getted my book. I holded it on my tummy. Karen not to see. Come on. Don’t be mean, show Karen your book. Karen laughed a slidey laugh. Oh, don’t worry. I’m enjoying what I’m looking at right now. She putted her hand close Meemaw’s by the ashtray. Littlest fingers touched lied next to each other close. Meemaw did a laugh too. A laugh that was new and of a surprise. Then I needed a wee. Very urgent. I pulled Meemaw. I whispered. Wee Meemaw! Ah, we need the toilet I’m afraid, Karen. No worries. I have to get back now anyway. She pushed back again the spiky hair. Maked a big perfumey smell. A attack of smell. I coughed. Meemaw picked up the bag. Thanks so much for the drinks and for everything. You’ve been really kind. Meemaw pushed me gently on my back. My coat stucked on the silvery chair I pulled. Then it was free and we were going but Karen’s voice came sudden. Too loud. I was wondering if you fancied meeting up again, maybe? Meemaw stopped pushing me. Meemaw looked at Karen. Swoosh! Very fast very fast all the grey washed over. There was a waterfall on Meemaw of ruby red colour. Ruby red slippers. Very. I never saw Meemaw be it before that colour. The world was roary then of cars and I was needing a wee. Meemaw and Karen just standed still no talking. I pulled Meemaw. She taked no notice no. Didn’t look. Looked just at Karen. Yeah. I mean, yeah, it’s just me and him you know so… Karen’s words came fast tripping over. Sure! Yes, sure, how about the park? Maybe over the weekend? Meemaw’s words chased Karen’s words. Sure, yes. You’ve got my number, yeah? Great, yeah. The wee the wee! I was full and bursting. Meemaw! Okay! ‘Bye Karen. We went through the big glass door into Costa. Inside Costa clank bang of the coffee maker man. Music. Bright white. Too much. I holded my ears. Meemaw opened the door toilet. Inside was quiet. Long wee splashy in the toilet and Meemaw waiting not talking. The soap was appley foamy fluff I liked. I washed on a long time. More more the appley soap. Meemaw looked in the mirror. Meemaw looked looked. Still no words. Water getted too hot. I taked my hands out. Okay, sunshine, here’s the dryer, look. Pop your hands in for a whoosh of air. I looked. No! It says blade. Blade is of a knife. Air blade, Meemaw. I showed the words. Meemaw laughed. Do you dare me, Danny? Do you? No! Meemaw pushed her hands in. It roared! Such loudness. But not a blade of cutting. Meemaw’s hands in out. She laughed. Meemaw laughed lots. I holded my hands on my ears tight and waited for it to stop.

*** At home Meemaw gived me have three pieces of drawing paper and that is a lot. I started a comic of stegosaurs. They go over a cliff. Why don’t you use some other colours, Dan? Or your black pen will run out. I like black. Black is best for all except red sometimes of blood. Meemaw had a rolly in the big window. All was sunshine and Meemaw ruby ruby red. New colour. I watched sometimes sometimes I went in my picture. After one rolly and tea gone halfway Meemaw climbed on a chair taked down her precious box. Precious box lives on the wardrobe. I don’t look because of ashamed. Because of a day long ago I was three. Such a bad day. Meemaw put the box up high after. It was biggest big scissors and crinkly paper. I cutted it the precious letter of Meemaw’s mummy. The letter of Meemaw’s mummy when she was alive in America. Meemaw did dripping tears. Drip drip on it and sticky tape for mending. But the letter gone wonky and some of the words lost. I went under the cover a long time that day. Meemaw said ashamed. I don’t like it now to think. I don’t like it the box. But today was a day of shiny photographs. Meemaw tipped them all slidey out. Meemaw did lifting them up each one and looking. Little laughs. I did my best stegosaur and a bubble for words. I maked him say oh no! in his bubble. Meemaw leaned over showed me one of the pictures. Who do you think that is, Danny? There were witchy people of wild hair. Don’t know. Meemaw holded her finger by one face. Not even that one? It was a person of black bits round their eyes. The person had a open mouth like a roar. That’s me, Danny. That was me way back when and those were my friends. We were having a bloody ball. A ball is a dance of Cinderella. But Cinderella is a puffy dress and white mice. A pumpkin. Not blood. I looked at the Meemaw of black bits on the eyes. Those were my friends, Dan. Those were my friends. She stroked it the shiny photograph. Her thumb all round its edge and looking like loving. Her eyes blink blink. Strokes like a kitten on its teeny head or me me on my eyebrows sometimes in bed and night night my lovely boy. I pushed under Meemaw’s arms. I lied on her lap put my face in her tummy. Smelled the smell of her. My Meemaw. I wriggled in until she putted the photographs back in the packet cuddled me instead. Right. Bath time, Danny! Noooo! Come on. It’s getting late. Meemaw getted my clean pjs from the laundrette bag. Shaked them hard for crumples. Meemaw getted her baggy laggy joggers old holey t-shirt. Shaked them too. I snuffed sniffed in them the smell of laundrette blue. Thinked of turny machines frothy inside. Come on then, love, into the bathroom! Meemaw turned the taps squooged shower gel. Blue in a puddle and turning into white. Good good smells. Nothing wrong at bedtime. Bubbles maked a mountain in the bath tall. White mountain filled up of light. Always baths now. Shower’s gone so broken and too much tiles falled off. We can’t use it, Danny. See, the water squirts out all over. Even in your eye. Nozzle gone drippy. A drippy wozzle nozzle. Useless of a shower. We getted in the bath. Right! Time for an episode of Terence the Turtle! Ow! Sorry Meemaw. That was for a joke. No pinching boobies, Danny. Pinching boobies isn’t a joke. Listen now and hear what happens next. Meemaw tells it out of her head. She telled how he went to a island all empty just a tall coconut tree. Terence maked a pulley which is a contraption. He sended Caroline Crab up high to get their tea of a coconut. Caroline Crab and pinchy pinchers! Stop it, now. I told you, Danny White. Meemaw washed my hair careful as careful. No bubbles in my eyes. Eyes shut and my mouth closed up tight. No water getted in me. Meemaw wrapped me in a towel. I sitted on the bath mat pulled the frayey edge. Maked a long long string. Meemaw standed up a handful of blue of shower gel. Rubby froth all over and in the hairy fanny triangle the smelly under arms. After tooth cleans and last wees Meemaw getted the bed to flat. Up out it folds. Skeleton of the sofa comes out. Then it’s our bed. Stand back, sunshine, I’m always worried this thing might bonk you on the head. Are you reading Meemaw in the chair this night? No, I’m shattered tonight, Danny. Let’s just snuggle down. Meemaw drawed the curtains getted in beside me. I holded Spiney under the pillow he likes it best very soft. In my mind I heared him telling all his night night wishes. I listened. Said I love you Spiney in mind words. Feeled him warmer there. I putted my other hand on Meemaw’s squashy tummy. Inside is bubbles and pops. Meemaw still the red ruby coloured. Like the slippers of sharkle one day on YouTube. Meemaw singed me the song. Somewhere over the rainbow. Meemaw reached up clicked the light to off. Then she was just the dark shape the smell of clean Meemaw. I closed my eyes.

Giveaway…..

For your chance to win a paperback copy of Tale Of A Tooth, courtesy of Legend Press, then all you have to do is comment ‘Yes please’ on this post and I will choose a winner at random (UK ONLY PLEASE)

Thanks in advance for joining in!

Good luck!

 

Reviews…..

‘Allie Rogers strikes gold again … A book about issues that isn’t issue-led, and a book about childhood that isn’t mawkish and emotional – Allie Rogers has, in Tale of a Tooth, created a tale that’s original, powerful and long lasting. Danny’s voice is readable, memorable, and may just have changed my mind about child narrators’ The Book Bag

‘Exploring a narrative which is too often kept private, but nevertheless, desperately needs to be told, Allie Rogers is unflinching in her descriptions of bullying and brutality which can be found within relationships. For this, she deserves to be congratulated’ Jess Richards

‘An extraordinary story of the bond between a mother and her son. Four-year-old Danny’s voice is utterly convincing, heartbreaking and ultimately full of love and hope’ Catherine Hall

Purchase here…..

 

 

About the author…..

Allie Rogers

Allie Rogers was born and raised in Brighton, where she works as a university librarian.

Little Gold, Allie’s first novel, was published by Legend Press in May 2017. Drawing on her memories of Brighton in the early 1980s, the book is a story of survival and the transformative power of friendship.

The book received warm reviews, including this, from Umi Sinha, author of ‘Belonging’,

‘Reminiscent of Scout Finch, Little Gold is a great addition to literature’s endearing child characters. Vulnerable but fiercely individual, she navigates danger on many fronts – her broken family, her bullying schoolmates, and the dangers of predatory adults – until she finds an unexpected ally in an elderly neighbour. Vivid, touching, sad and frightening, this book exposes the dark underbelly of 1980s Brighton and left me haunted long after I put it down.’

‘Tale of a Tooth’ (Legend, April 2018) is a powerful narrative, told in the voice of four-year-old Danny. Jess Richards, author of ‘Snake Ropes’, ‘Cooking with Bones’ and ‘City of Circles’ has said,

‘Explores a narrative which is too often kept private, but nevertheless, desperately needs to be told.’

Check out the rest of the blog tour for reviews, and more, with these awesome book bloggers…..

Tale Of A Tooth blog tour

Enjoy!

Not Talking Italics by Russell Day @rfdaze #FreeShortStory #BookPromo @fahrenheitpress #PublicationDay @damppebbles

Morning all! I have a treat for you today!

You may remember the cover reveal for Russell Day’s Needle Song a few days ago!? Well, Needle Song is OUT NOW! The to buy link is below, but first I have the pleasure of sharing a brilliant short story by Russell Day. Enjoy! 

Not Talking Italics

This edition first published 2018 by Fahrenheit Press

http://www.Fahrenheit-Press.com

Copyright © Russell Day 2018

The right of Russell Day to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form, or by any means, electronic, mechanical, photocopying, recording or otherwise, without permission in writing from the publisher.

Not Talking Italics

 

By

 

Russell Day

A Slidesmith Short Story

 

Fahrenheit Press

 

Fahrenheit Press are publishing Russell’s full-length novel, NEEDLE SONG on 30th April 2018 which, like this short story, features James Slidesmith.

– …at three fifteen a.m. Present are James Slidesmith, Detective Constable Stephen Barker and, myself, Detective Sergeant Christopher Wade. For the benefit of the tape, Mister Slidesmith would you-

– Doctor.

– I’m sorry?

– It’s Doctor Slidesmith, not Mister.

– My apologies. For the benefit of the tape, Doctor Slidesmith-

– No italics.

– I’m sorry?

– You know, when you write something down you put it in italics to give it a certain inflection, make it sound sarcastic or patronising maybe. I hold a PhD in Psychology. So, just Doctor. No italics.

– Doctor Slidesmith, for the benefit of the tape, will you confirm that you have been given the opportunity to seek legal counsel but, have chosen to waive that right at the present time.

– Yes, I have waived the right to have a legal representative present during this interview.

– Okay, would you care to tell myself and DC Barker what happened last night at number, five Elton Avenue.

– Let’s see, me and Yakky got there around about quarter past ten.

– Yakky being Andrew Miller, it that correct?

– Yes.

– Mister Miller works for you?

– He tattoos at my shop and I take a percentage. Technically he’s self-employed.

– Okay, go on.

– We pulled up around quarter past, we were running a bit late ‘cos Yak’s bike was playing up again. They’d started without us. And it was already going sour.

– Going sour?

– Yes, going sour. Good use of italics. We’d been told we’d being playing limited-raise. When we got there, they were playing pot-limit.

– And that was a problem?

– You play Texas Hold Em’ at all Sergeant, you a poker man?

– I know the rules.

– How about Constable Barker there, no? Alright, for the benefit of Constable Barker and the tape, when you play Texas Hold ‘Em, the betting takes place in rounds and the players take turns. The first bet is compulsory and it’s for a pre-agreed amount, the second bet doubles it. That’s compulsory too. This is to get the pot started. From then on, if you want to stay in for that particular hand, you have to match the previous bet. If you think your cards are going to beat everyone else’s, then you’re going to want a bigger pot. So, you raise. If the game’s limited-raise the pot can only grow so fast, it limits the value of each hand. Limits what you can lose in one go. Pot-limit is slightly different, the max amount you can raise, is the size of the pot currently on the table.

Now, Constable, I’ll give you a piece of invaluable advice. Do not, I repeat not, take pot-limit poker games lightly. People hear the term no-limit and promptly wet themselves ‘cos they think they’re about to lose all their hard earned, and most likely they are. In a lot of no-limit games, hands are lost just because people can’t match the last bet. You can be holding five elevens, and still lose. But … people tend to do that once. They go in, all Johnny-Big-Bollocks, lose that week’s wages and the next month’s rent, then go home and cry about it. It’s not something a lot of people do twice. Now, if you looking to take someone to the cleaners, then no-limit’s all well and good, but if want a cash cow, a nice little Friesian that’s going to roll up for milking time and time again, you need pot-limit. Isn’t that right Sergeant?

– I wouldn’t know.

– Really? I thought you might. Nice watch by the way. Rolex?

– Fake. Made in China.

– Very convincing, looks real from here. They’re clever these Chinese. Sorry, lost my train of thought, Oh yeah, pot limit.

Most people, at least most westerners, aren’t too good at maths. If there’s a few people playing, and there were five of us last night, pot-limit can increase the value of each hand very, very quickly. But, a lot of people won’t notice that. Take someone’s wages and their Rolex—fake or otherwise—in one hit and they tend to remember. When it’s delicately taken away bit by bit over the course of a whole night, they don’t tend to feel the loss so keenly. So, maybe your Friesian heads back for another try. Isn’t that right Sergeant?

– So, why didn’t you walk away from the table?

– I would have done, if Li hadn’t been there.

– That would be Ms Li Chang?

– That’s right.

– She works at your shop too, is that right?

– She’s my apprentice, learning the ink.

– And you had no idea she’d be there?

– That’s right Sergeant. Only, I had No-Idea without the italics.

– You weren’t aware she played poker?

– A lot of people play poker, apparently you play poker, that doesn’t mean I expect to find them sitting next to Billy Sinclair shuffling a pack of cards.

– She didn’t mention it to you at work?

– If you were playing poker with Billy Sinclair, would you tell your boss?

– Okay, so you decided to stay and play with Billy Sinclair and Ms Chang. Was Mister Miller happy to play too?

– No, Yakky dropped out. He just stayed to watch.

– Just watch.

– That’s right. Nice italics by the way.

– You think this is some sort of joke? A man’s died in case you’re forgotten.

– According to your Rolex—sorry fake Rolex—it’s now three twenty-four in the a.m. The wee small hours, when the human body is at its lowest ebb. I’d say by now, two men have died.

– Did you know Ms Chang had a criminal record when you took her on?

– Of course I did. Anyway, she was up front about it.

– It didn’t put you off employing her?

– She served her time. And it’s not everyone can say that, is it fellas?

– What’s that meant to mean?

– I’m saying she’s paid her debt.

– The man she stabbed might argue with that.

– If she’d stabbed him two years earlier, she’d have been too young to have it on her permanent record and we wouldn’t be having this discussion.

– You think she was being abused?

– I think we’ve all got history, Sergeant. That all I’m saying.

– Shall we get back to the events of last night? You said there were five people present, is that correct?

– Not quite, there were six people. five of them, including me, were playing cards.

– Who were they?

– Myself, Li and of course Billy Sinclair were at the table with two other players. Yakky was somewhere behind me, watching.

– Who were the other two?

– I don’t know their names. One of them was the Bumper.

– And the final man?

– He was the guy who wasn’t meant to see the sucker.

– And for the benefit of the tape?

– But not for you, eh?

– Just tell us what you mean, Doctor Slidesmith.

– And we’re back to the italics. There’s an old saying about poker: if you can’t see the sucker, it’s you.

– So, this guy was the sucker?

– He was meant to be, well, we all were. Aside from Billy of course and the Bumper.

– Doctor Slidesmith, for the benefit of the tape, would you explain what the term Bumper means.

– Let’s suppose we three were having a game of poker, and Constable Barker is sitting there with a royal flush. That’s the top hand, Constable in case you don’t know, as good as it gets, cannot be beat. Only problem is the pot is next to nothing. You’ve got the best hand possible but all it’s going to get you is loose change. What would you do, Constable?

– When it’s my turn to bet I raise as high as I can?

– Why not tell him why you’re shaking your head, Sergeant Wade?

– The thing is Barker, if you make a big raise you’re telling people you have something worth betting on. So, unless they’re holding something pretty good, they’ll just fold.

– So, what you need is a Bumper. Let’s say you ask your friend Sergeant Wade here—oh, now don’t look like that, I’m sure he’s lovely—you ask Sergeant Wade to keep bumping up the stakes for you, a little bit at a time. You don’t need to raise at all, with each round you just put in enough to stay in the game.

Now, of course, I don’t know you’ve made this arrangement. I’m just seeing two players betting cautiously, as if they’re sitting on moderately good cards. So, I keep on playing, and if I’m a sucker, I don’t notice that the pot’s growing fat on my money.

That can go on for quite a while. Particularly if I’m holding what looks like a decent chance, the big casino sitting on a flush, say, or the dead man’s hand. And bad players quite often bet on mediocre cards, especially if they’ve put a lot in the pot already.

– What are-

– The big casino is the ten of diamonds, Constable. The dead man’s hand is two eights and two aces.

– Well, well Sergeant Wade, it sounds like you know a bit more than just the rules.

– Who was the sucker?

– I told you I don’t know. He was a bloody awful card player though. He even had a lucky charm.

– A lot of people have lucky charms.

– People either have lucky charms or skill. I’ve yet to see a poker player with both. Anyway, not only did he have a lucky charm … he tapped it against the table when he had a good hand.

– He had a tell.

– Dozens. He had more give-aways than Father Christmas.

– And you don’t know who he was?

– Never seen him before.

– And the other man, the Bumper?

– Never seen him either. Barely saw him when he was there if you know what I mean.

– No, I don’t.

– He was good at blending into the background. He was like a coat of beige paint.

– Come in… For the benefit of the tape, WPC Gillian Web has entered the room at three thirty-seven a.m.

– Can I speak to you outside for a moment?

– Pausing interview at three thirty-eight.

– Interview with James Slidesmith, re-commencing at three fifty-nine a.m. Doctor Slidesmith, does the name Matthew Dolan mean anything to you?

– Nothing.

– It seems Mister Dolan was the sucker. One of the Doctors at the trauma unit thought he recognised him. They pulled up his medical records and his widow has just confirmed ID. You were right, two men are dead.

– It wasn’t much of a deduction. He’d lost a lot of blood before the ambulance got there.

– A fair amount of that blood was found on Mister Miller’s hands and clothing. Substantial amounts on Ms Chang as well.

– Li was beside him when the bottle went in. Sit near a served artery and your dry-cleaning bills get out of hand.

– You told me Mister Miller was sitting behind you. He was covered in blood but you weren’t.

– Yakky jumped in to do some first aid and I stayed out of the way.

– You we’re happy to let him bleed? I thought you were a Doctor.

– Doctor of psychology. I leave the organic stuff to other people.

– People like Mister Miller.

– He knows more about first aid than I do.

– So, after Mister Dolan was stabbed you stepped aside while Mister Miller gave first aid. What time was this?

– I couldn’t say exactly. I’d estimate a little after midnight.

– You called the ambulance?

– That’s right.

– The dispatcher’s log records the time of your call as twelve thirty-seven a.m. That’s more than a little after midnight. Why the delay?

– It took me a while to find a phone.

– You didn’t have a phone with you?

– No.

– What about Mister Miller or Ms Chang?

– Yakky and I didn’t take our phones. Billy Sinclair didn’t allow mobile phones at his table. Rules of the game. Both our phones are back in my flat. Why don’t you call the search team you’ve got there, they’ll confirm it.

– Ms Chang?

– Li was at the table so I assumed she wasn’t holding a mobile either.

– You assumed?

– She was helping to stem Mister Dolan’s blood loss. It wasn’t the time to ask if she had a phone I might borrow.

– So, you sat and watched?

– No, I went through Billy Sinclair’s pockets. I figured he’d still have his phone on him, it being his table and all.

– And did he?

– Yeah, it was in the back pocket of his trousers. Last one I checked because he’d landed on his back and I had to roll him over to get to it.

– Searching Mister Sinclair’s dead body didn’t trouble you at all?

– All the troubles I’ve had over the years have been handed to me by the living not the dead.

– Billy Sinclair must have had a lot of pockets if it took you thirty minutes to go through them.

– It took a couple of minutes. But his phone was locked, so even after I found it I couldn’t use it. I tore round the house looking for a landline.

– You looked around the whole house?

– Yeah. That’s why your forensic team’s going to find my prints all over the place.

– Did you find a landline?

– No. In the end I ran out the house and started banging on doors. No one wanted to answer.

– Why not?

– I’m guessing Billy wasn’t a very neighbourly person. When you start interviewing people, I think they’ll tell you he wasn’t too considerate about keeping the noise down and wasn’t too pleased if people complained. I burst out of his house at gone midnight and started shouting the odds. It took a while to find someone willing to talk to me.

– So, you’re at a table where a man has just had an artery served. While he’s spraying blood over Mister Miller and Ms Chang, you conduct a body search and a body roll, on a man who’s just been shot. And yet your hands are totally … clean.

– Again: good use of italics.

– You’re not as funny as you think, or as clever. Three pairs of black latex gloves were found in your jacket pocket. Care to explain that?

– I’m a tattooist, I use latex gloves when I work. Black’s the favoured colour because they hide smears of  blood and ink. It saves upsetting squeamish clients.

– And you took three pairs to Billy Sinclair’s house because?

– I ride a nineteen seventy-eight Sportster. When you ride a machine getting on for forty years old, you expect to be fixing things by the side of the road from time to time. Latex gloves keep my hands … clean.

– Did you wear a pair of these gloves when you searched the body?

– No.

– I think you did. I think that’s why your hands don’t have any blood on them. Or any powder burns from the shot gun.

– I didn’t need to put gloves on, and when you get the lab reports, they’ll tell you my prints are all over Billy Sinclair’s phone. He took both barrels right between the eyes. He’d have been dead before he landed and dead people don’t tend to bleed. The mess was behind him, it wasn’t dripping into his pockets, it was dripping down the wall. The reason there’s no powder burns on my hands is simpler still. I didn’t fire the gun.

– When WPC Web asked me to step outside a moment ago she didn’t just inform me that Dolan was dead. She told me the team currently at Sinclair’s property reported finding a pair of black Latex gloves, with blood on them.

– Cool Hand Luke.

– What?

– Bad poker players, guys that remember winning once but forget a dozen losses, they have a favourite film. It’s either The Cincinnati Kid or Cool Hand Luke. With you it’s Cool Hand Luke, the bit where Paul Newman’s got a handful of bugger all and bluffs his way into a win. You can only bluff certain people at certain times. And, Sergeant, your bluffs are as clear as glass.

– So, tell me what happened.

– We’d been playing for about an hour and a half. In my experience that’s when the sharks come out to play and feeding time starts. Most players can’t play well for that long, they think they can but they’re wrong.

– So?

– So, I started cranking it up a little. Since I’d made the Bumper, I kept my eye on him. I couldn’t spot the signal he was getting to start upping the pot but I could see when he started betting and when Billy held back. Dolan was building up the pot quite nicely. So was Li. They were both losing money hand over fist.

– That bothered you?

– Li works for me, I know what I pay her and I know what she can’t afford to lose. Once she’d lost all her stake money, and that was more than a month’s earnings, Billy said he’d open a line of credit. That bothered me, a lot. It bothered Yakky too.

– Does he have the hots for her?

– Yakky’s not as mean as he looks, he’s got a weakness for lost souls. They bring out his maternal side.

– What happened?

– I told Li she’d do well to fold her cards and call it a night. Billy reminded her how much she’d just tipped into the pot and said it would be a shame to give it up without a fight.

– How much was in the pot at that point?

– Just short of three thousand. Of that Billy had put in less than two hundred. I’d largely coasted it but Dolan and Li had followed the Bumper and had both put in about a kay.

– You thought that was enough?

– It’s never enough if you stand to win. I don’t know what Billy had but I was holding David, Alexander, Julius and Charles.

– What-

– He means he had four kings, Constable.

– I was happy to let the hand carry on. I win, I keep the pot and use a chunk of it to pay off any debt Li might be about run up with Billy. If I’m feeling greedy I just buy the debt and stop it from her wages. Either way it’s in my interest to keep the pot going.

– Yakky, doesn’t know what I’m thinking and tells Li to walk away. Billy doesn’t like him butting in and tell him to shut it. Li is getting pissed off at me and Yakky, for telling her what to do. She tells both of us she can take care of herself and then tells Sinclair she’ll take the credit. Billy takes out this address book, he handles it with a certain flair, pale blue leather and obviously very expensive. Then he pulls out a fountain pen, opens the book at C and, very carefully, writes Li’s name down.

The games still on. Three more rounds, by now its big money just to stay in and Dolan’s nerve finally breaks. He folds then the bumper bows out and I tell Billy I’ll see him.

– And you nail him with your picture show?

– Yeah. He is not a happy bunny at this point. Yakky puts his oar in again and tells Li she should walk away, again. Billy tells him to shut the fuck up. The atmosphere is not what you’d call pleasant. Little-Boy-Beige sitting all alone starts getting a bit jittery and drops his cards. Trouble is they land face up and Dolan sees what he’s been betting against for the last twenty minutes.

– And it looks wrong?

– Very wrong, Mister Bump was holding nothing. Dolan was a lousy player but he wasn’t green. He twigged he’d been set up. He looks at the Bumper’s cards then at Billy and it’s obvious all hell is about to break loose. I should have just walked away there and then.

– Why didn’t you?

– The pot. There was over seven grand on the table by then. And it was mine.

– Dolan didn’t see it that way?

– No. To be fair, he didn’t know who was who at that point. As far as he could tell, everyone at that table was in on the trick. I go to take my winnings and he stands up and tells me to keep my hands off. I tell him okay and back off, but he’s working himself into a state. There was bottle of Scotch on the table, best Hollywood traditions and all that. Dolan grabs it, smashes it on the edge of the table, then walks around to Billy calls him a cheating piece of shit.

– What are your people doing all this time?

– My people?

– Mister Miller and Ms Chang.

– Me and Yakky were having a lad’s night out playing some cards. Li being there was a surprise. They’re not my people.

– Alright, so what were Mister Miller and Ms Li doing?

– Li was trying to edge away from the table. Yakky was behind me, so I couldn’t say what he was doing. Probably bricking it, same as me.

– And Billy?

– He was laughing. Laughing at the sucker. It didn’t do anything to improve the situation.

– If Dolan’s the one holding the broken bottle how did he come to get cut?

– Billy and Dolan were to my right. The Bumper was on my left, putting him almost opposite them. And he wasn’t only bumping, he was playing body guard. That’s partly what tipped me off that he was on Billy’s pay role. I couldn’t see Billy Sinclair having people in his drum and not having a heavy at hand.

– The way you describe him, this Bumper doesn’t sound like a heavy.

– Well, pulling a gun lent weight to his point of view.

– So, tell me, how is it Dolan ends up bleeding out with a chunk of glass in his neck and Billy Sinclair gets a face full of shot from his own man?

– As I say, the Bumper’s a smallish guy but the gun he’s holding makes up for that. He leans across the table, over all that money, and tells Dolan to put the bottle down. Dolan does as he’s told. He puts the bottle on the table, moves slow, keeps his hands where Bumper can see them. He wasn’t stupid.

When Billy stands up, the avuncular river-boat-gambler act is over. He sucker-punches Dolan in the ribs, folds him in two, then takes hold of the bottle. Dolan was doubled over with his head almost on the table. Billy grabs his hair, I think he was planning to give him a few scars to remember the evening by.

I’m pretty sure he didn’t mean to kill him. But Dolan was panicking and thrashing about. He twisted at the wrong moment. Instead of his face, the bottle goes into his neck. That’s where Li picked up most of the blood stains. It was like a hose pipe. A fair amount of it goes over the Bumper too.

Dolan’s still thrashing about and, by chance, grabs the barrels of the gun. I expect Bumper just tugged on reflex, only his finger’s on the trigger. Boom, he’s unemployed. And very unlikely to get a reference.

– So, it was all a big mistake?

– That how it appeared to me. But what does it matter? It’s too late to say sorry, they’re both dead.

– Then what?

– When Billy got shot he went over backwards and let go of Dolan’s hair. Dolan slides off the table and that’s when Yakky started doing his Florence Nightingale act. We didn’t notice what he’d done to his knee until later.

– And the Bumper, and you?

– Neither of us moved for a second. Rabbits in the headlights, you know? Then Bumper looks at what’s left of his boss and starts moving again. Once he’d got his wiggle on I unfroze too, but I didn’t do anything other than watch him for a moment. For all I knew he was about to reload.

– But he didn’t?

– No. He pulled out a handkerchief and tried to wipe the gun down. I don’t know how well he did it. Then he dropped it on the floor and started stuffing my bloody winnings into his pockets, when they were filled he stuffed the rest down his shirt front.

– And you let him?

– He didn’t look like he’d be easily dissuaded at that point. Anyway, once I was happy he wasn’t about to start putting the witnesses away I was more concerned with finding a phone.

– That was when you went through Billy’s clothes?

– No. At first, I was looking around the room for the landline that didn’t exist. I didn’t think of checking Billy’s body until I saw Bumper go over to him and take that fancy blue address book out of his pocket.

– And this Bumper character disappeared?

– I heard the front door slam.

– So, he just left, covered in blood, carrying seven large in cash?

– Yep. All the cash … and Billy’s little blue book.

– We’ve yet to find anyone to corroborate this story. None of Mister Sinclair’s neighbours report seeing the man.

– If you had Billy Sinclair for a neighbour I expect you’d keep your curtains closed too. That’s why it took me so long to make the nine-nine-nine call, remember? No one wanted to put their head outside their door.

– Mister Miller’s story differs substantially from yours.

– Word of advice Sergeant Wade, one card player to another: some people are harder to bluff than others.

– Okay, tell me again-

– I’d liked to take a break

– I’m sorry?

– I said I’d like to take a break. I’ve cooperated fully. I’ve answered all your questions. I’ve listened to your veiled accusations and I’ve done all that without a lawyer being present. Now, I want a break and a cup of tea.

– We’ve nearly done here and I think-

– I don’t care what you think. I have a right to remain silent and if I don’t get a cup of tea that’s what I’m going to do. Then I might exercise my right to legal representation.  And you see, Sergeant Wade, if that happens it’s likely to ruin the delightful rapport you and I have. Once I start dealing with an up-right and conscientious member of our great legal system we lose the intimacy, you see? Things, once revealed, may have to sit out there in the cold light of judicial scrutiny.

– Are you refusing to answer any more questions?

– Yes, unless they relate to tea.

– Okay. Constable, nip out and get us some teas eh? See if you can scare up some biscuits too, I’m starving. For the benefit of the tape, Constable Barker has left the room. Interview suspended at four forty-three a.m.

– And then there were two.

– You know something Doctor? You’re full of shit.

– Now the tape’s not running, we could drop the formalities. Why not just call me Doc? You could drop the italics then.

– The papers are going to love you. All this clever-clever talk and call-me-Doctor patter is going to go down a storm in the press gallery. But I’ll tell you something: juries don’t like smartarses. Neither do judges. If you’re lucky, with good behaviour, you’ll be out in under twenty. If you’re lucky.

– Twenty years for calling an ambulance? That seems harsh. What do you think they’ll give Yakky for administering first aid?

– I see it less as first aid, more as interfering with a crime scene. Was slicing himself open in the process part of the plan, bit of a sympathy ploy?

– Plan?

– I’ll tell you what I’m looking at Doctor. I’m looking at a room with three people in it, one of them with a history of putting a knife into somebody. Two of these three are covered in blood and just happen to work for the third. There’s a baize covered table in the room, playing cards scattered all over the shop and two dead bodies on the floor. All the markings of a high stakes poker game gone very, very wrong. All expect the money, which isn’t there. What I’m not seeing is hide nor hair of this mysterious Bumper who vanished, pausing just long enough to take the money and wipe any prints off one of the murder weapons of course. While he was doing that, your man Yakky manages to kneel on the broken bottle. And, because we can’t lift reliable prints off a pile of glass fragments, that destroys any evidence of just who used it to kill Dolan.

– That’s what you’re seeing is it?

– It is. I think the only Bumper there last night was Ms Chang. You and your little crew went over to Billy Sinclair’s with the intention of skinning him alive. Only you over played your hand and underestimated the dangers of taking money off villains. Or maybe you didn’t underestimate them and that’s why Mister Miller was there along with a shot gun. In case it went sour, to use your words. Now, the three of you are up to your ankles in blood. So, while Billy’s bleeding out, you gather up the money and come up with this cock and bull story about needing to scour the neighbourhood for a phone. Only you’re not looking for a phone, you’re looking to hide the money somewhere so you can collect it later.

– Can you see this?

– Your hand?

– Yeah, my hand. Notice something?

– It’s trembling, you starting to worry Slidesmith?

– The story I told you is as genuine as your fake Rolex, Sergeant. Think about that. When real players see another player pick up a card and get the shakes, they know it’s time to fold.

– Meaning?

– You tremble when the danger’s past. All the adrenaline as nothing to do, so it wanders round your veins and jangles your nerves. When a player picks up a card and trembles, it’s because he’s got the card he needs. He’s relieved, not worried.

– What have you go to be relieved about?

– You didn’t mention the blue address book. You see, Sergeant Wade, players, real players, don’t talk about tells, or know the fancy nick names for the cards and they don’t talk about luck. What they do is remember all the times they win and forget all the times they’ve lost. And they lose a lot. And that costs a lot. And the minute I saw you, I knew the only way you’d ever see the sucker at the table, was if someone handed you a mirror.

We’ll stick with the story about the Bumper but let’s add a twist. Maybe he didn’t run away with the money and the blue leather address book. Maybe I took the blue book. Billy had written down my apprentice’s name in it and I really didn’t want her name connected to a dead north London villain, not in writing. And maybe, being the curious sort, I spent a moment flipping through that book.

There were a good few names. people owing Mister Sinclair money, or favours in lieu. One of those names was Wade. Wade DC, to be exact, next to some very big numbers. DC? Darren Colin Wade? Dave Charles Wade? Who could know? Then guess what? I find my interviewing officer is a Detective Sergeant Wade. And DS Wade knows the silly names losers give to playing cards, talks about tells and thinks he has a talent for bluffing. So, I’m faced with a man who talks like a piss poor card player and wears a watch worth three kay. That he pretends is fake. So, I wonder—and please set that tape rolling again any time you like—if DC might stand for Detective Constable. Of course, that would mean DS Wade has been in Billy Sinclair’s pocket since before he was promoted. That would mean DS Wade has been losing money for quite a while. And that begs the question, where does a man who has on-going gambling debts to a local villain find the money to buy a Rolex? A Rolex he tells people is fake. I believe you, about juries not liking smartarses. Now, believe me; they like bent coppers even less.

– Good luck proving any of this Doctor Slidesmith.

– Oh dear, back to the italics are we? I don’t really need to proof it though, do I? I don’t even need to plant the-seed-of-doubt, because it’s there already, in someone’s head. I’m not the only one who can tell a genuine Rolex from a copy, and you can bet I’m not the only one to wonder about it.

If Billy Sinclair’s little blue book, as described on that tape over there, should turn up on someone’s desk, certain wheels might start to grind powerful small. Better it’s not found, better it stays lost, along with all the money.

– And do you think this Bumper character is likely to keep it somewhere safe, where it’s not likely to be found?

– Oh, I’m sure of it. I’m also sure that when DC Barker comes back with our tea, we’ll resume the interview. I’m also sure that, for the benefit of the tape, Mister Miller, Ms Chang and my good self will be praised for our attempts to save the unfortunate Mister Dolan. And then we’ll all walk out of here; free and clear.

And Sergeant Wade, when I say free and clear, I’m not talking italics.

 

THE END

Fahrenheit Press are publishing Russell’s full-length novel, NEEDLE SONG on 30th April 2018 which, like this short story, features James Slidesmith.

Needle Song cover

 

Spending the night with a beautiful woman would be a good alibi, if the body in the next room wasn’t her husband.

Doc Slidesmith has a habit of knowing things he shouldn’t. He knows the woman Chris Rudjer meets online is married. He knows the adult fun she’s looking for is likely to be short lived. And when her husband’s killed, he knows Chris Rudjer didn’t do it.

Only trouble is the police disagree and no one wants to waste time investigating an open and shut case.

No one except Doc.

Using lies, blackmail and a loaded pack of Tarot cards, Doc sets about looking for the truth – but the more truth he finds, the less he thinks his friend is going to like it.

Enjoy!

Russell Day

Russell Day was born in 1966 and grew up in Harlesden, NW10 – a geographic region searching for an alibi. From an early age it was clear the only things he cared about were motorcycles, tattoos and writing. At a later stage he added family life to his list of interests and now lives with his wife and two children. He’s still in London, but has moved south of the river for the milder climate.

Although he only writes crime fiction Russ doesn’t consider his work restricted. ‘As long as there have been people there has been crime, as long as there are people there will be crime.’ That attitude leaves a lot of scope for settings and characters. One of the first short stories he had published, The Second Rat and the Automatic Nun, was a double-cross story set in a world where the church had taken over policing. In his first novel, Needle Song, an amateur detective employs logic, psychology and a loaded pack of tarot cards to investigate a death.

Russ often tells people he seldom smiles due to nerve damage, sustained when his jaw was broken. In fact, this is a total fabrication and his family will tell you he’s has always been a miserable bastard.

 

#Events at @SoTLibraries #StokeonTrent

Hi all!

Just sharing the latest news from Emma, at City Central Library, regarding upcoming events. If you are local (or localish) please do support them if you can.

Many thanks to all who came to Postcard Poets. It was a very enjoyable morning, and fantastic to see so many people there. A big thanks to City Voices for supporting the event.

Dave Reeves, one of the poets from that event, has sent me a link to a poem that he scribbled whilst on the train home, using leaflets from the library and from the train station. If anyone would like to take a look, you can see it here:

http://www.textician.co.uk/news

There’s a reminder about the Poets, Prattlers and Pandemonialists event which takes place at City Central Library on Friday 18 May. There’s also news of the next 6X6 Reading Café, for which submissions are now open. If you’ve thought about submitting previously but haven’t yet given it a go, why not try now?

Finally, I’ve received details from colleagues in Staffordshire Libraries of a circus-themed poetry event and workshop for adults – it sounds like great fun! Do take a look at the attached details if this is something that would interest you.

All the best

Emma

Poets, Prattlers and Pandemonialists

Friday 18 May, 7.30pm

City Central Library, Hanley

Cost: £3 including refreshments

What happens when three poets meet up in a pub and decide to put on a show? Join nationally-acclaimed poets Dave Pitt, Emma Purshouse and Steve Pottinger as they come together to plot their path to fame and fortune – will they be distracted by beer and scratchings? Will they put the world to rights? Creative performance poetry at its very best – may contain language!

Contact City Central Library to book your place

6X6 Reading Café

6x6 June

Tuesday 12 June, 7pm

City Central Library, Hanley

Cost: free

Six writers…six readings…six minutes each. Join us for the ever-popular 6X6 Reading Café, where local authors read and promote their work. The submissions window is now open; if you’d like to find out more about the café, or how to submit, take a look at the 6X6 blog:

https://6x6writingcafe.wordpress.com/

Contact City Central Library to book your free place

I’ve been to all but the very first one of these and it’s always a lovely evening. Looking forward to this one! 🙂

Tel: 01782 238455

Email: central.library@stoke.gov.uk

 

Library event May

Contact details…..

Emma George

Senior Librarian: Outreach, Engagement and Information

Libraries and Archives

Housing and Customer Services

City of Stoke-on-Trent 

City Central Library     Bethesda Street     Hanley    Stoke-on-Trent     ST1 3RS

t 01782 236177   e emma.george@stoke.gov.uk

stoke.gov.uk

 

The Kindness of Strangers by Julie Newman #BlogTour #Spotlight @urbanebooks @LoveBooksGroup

The Kindness of Strangers blog tour

“’Lies, deceit and dark secrets – this is a wonderfully addictive read’ –Sheree Murphy, actress and television presenter

Secrets and lies abound in Julie Newman’s breath-taking new novel. When Helen’s chance at happiness is threatened what lengths will she go to in order to hide the truth? Deceived by her husband and desperate for a ‘perfect’ family life, Helen will do everything she can to get the life she wants. Following the gripping and controversial Beware the Cuckoo, Julie Newman’s new novel lifts the lid on family secrets, and the dark past that haunts a seemingly happy household…

• Beware the Cuckoo was an Amazon bestseller, reaching no1 in the women’s fiction kindle charts

• Planned launch at the Essex literary festival 2018

• On Beware the Cuckoo – ‘A fabulous debut novel, compelling, a real page turner. It was great to read a modern novel that wasn’t formulaic or predictable. I would thoroughly recommend this book.’

The Kindness of Strangers cover

Buy your copy…..

 

Enjoy!

About the author…..

Julie Newman was born in East London but now lives a rural life in North Essex. She is married with two children. Her working life has seen her have a variety of jobs, including running her own publishing company. She is the author of the children’s book Poppy and the Garden Monster. Julie writes endlessly and when not writing she is reading. Other interests include theatre, music and running. Besides her family, the only thing she loves more than books is Bruce Springsteen.

 

The Picture by Roger Bray @rogerbray22 #BlogTour #AuthorInterview @rararesources

Today I have a lovely interview with Roger Bray to share with you as part of his blog tour for The Picture 🙂

Welcome to Chat About Books, Roger and many thanks to Rachel, at Rachel’s Random Resources, for arranging the following interview.

Roger Bray

For those who don’t know already, could you tell us about yourself and your book(s) please?

I am married with adult children. Originally from Blackburn, Lancashire I served in the Royal Navy for ten years including in the Falklands’ War before coming to Australia. I was a police officer for many years before being medically retired after being seriously injured in an assault. My books are about normal people trying to live their lives but who find themselves in extraordinary circumstances and feel the sense of helplessness as they are driven by events. I have a great sense of justice and fairness and that tends to drive my storylines.

Where did/do you get your ideas from?

I have a vivid imagination and an eye for detail. Many ideas come from thinking about something and twisting it around. Most fall away but some stay with me. For The Picture I had half an idea of writing a book about celebrity without ability, something of which there are many examples in modern media. I then had a moment of seeing a sunbeam breaking though some clouds and thought how that could be use as a plot device. The two things were separate and independent but came together to form the basis of the book.

Are any of your characters based (however loosely) on anyone you know?

I suppose traits from people I know do sneak into my characters but I could not say that any particular character is based on a real person. I have used real people as an aid, imagining how they might look or talk, but that is as an overview rather than specifics which allows me to change the character as the story develops. My doppelgänger for Ben Davis in The Picture was Russell Crowe

How do you pick your characters names?

It is not really conscious but I do pick names based on characters traits. Down to earth people get that type of name. Ben Davis in The Picture I choose because it is a normal name for a normal man. Some names I choose at random trying to avoid names of people I know or well known names to avoid inadvertent comparisons. In The Picture I did research and choose a couple of Japanese names because of what they meant, and which fitted into the storyline.

Can you share your writing process with us, in a nutshell?

Sit down, start writing. I like to set aside a few days to write in blocks rather than try to catch an hour here or there. I find that I can immerse myself in the story if I do that. I write until I run out of ideas; have a break, go back, re-read and continue. I am linear, I start at page one and go from there.

Who are your top 5 favourite authors?

Leon Uris

Sebastian Faulks

Louis de Bernières

Tom Sharpe

Robert Harris

If you could meet any author, who would it be and what would you ask them?

Living or dead? Stig Larsson. Can I read the manuscript for the fourth novel because I am sure what was published was nowhere close to what you envisaged?

Were you a big reader as a child?

I was. Enid Blyton’s Famous Five and Secret Seven, Nancy Drew and the Hardy Boys form as early as I can remember. I progressed to Gerald Durrell, Sven Hassel and Tolkein through my teens to Stephen King and Le Carré.

When did you start to write?

At school. I started with short stories and my essays always contained fictional events if they allowed. As is often the case life got in the way and I stopped for many years before going back to short stories and occasional magazine articles.

If you could re-write the ending to any book what would it be and what would you change?

John Grisham’s The Street Lawyer. An excellent book, as usual with Grisham, but the ending, to me, fell flat or was at least abrupt. If not a sequel then I would flesh out the ending. That is not a criticism, but it was such a good story I wanted to know more when it ended.

Is there a book you wish you had written?

1984. Not so much written but re-written to bring it up to date. Orwell wrote the book as a warning not an instruction manual but that is where we will be in ten or fifteen years it we keep allowing the removal of rights; which are accelerating every day.

If you wrote an autobiography, what would your title be?

I’m Not Repeating my Mistakes, I’m making Completely New ones.

If you could invite any fictional character for coffee who would it be and where would you take them?

George Smiley. I would take him to a little coffee shop I like in the Shamble in York but my preference would be a beer at The Maltings, also in York.

What are you working on right now?

I am working on my third novel, also set in Oregon, about a young woman, who had been in care, tries to make something of future only for her life to be put into danger by past history in which she is involved but knows nothing about.

Do you have a new release due?

I am aiming for mid this year, but time will tell.

What do you generally do to celebrate on publication day?

Relief, and fingers crossed that readers will enjoy the work. Maybe a bourbon and cigar.

How can readers keep in touch with you?

I have a website at https://rogerbraybooks.com/ through which readers can send me an e-mail.

Is there anything else you would like us to know?

I would like to thank you Kerry for having me on you blog and for the opportunity to answer your interesting questions.

Thank you for taking the time to answer my questions, Roger 🙂

The Picture cover

The Picture

A warehouse in Japan used as an emergency shelter in the aftermath of the 2011 Tsunami. A distraught, young Japanese woman in dishevelled clothes sits on a box, holding her infant daughter. Ben, a US rescue volunteer, kneels in front of her offering comfort. They hug, the baby between them. The moment turns into an hour as the woman sobs into his shoulder; mourning the loss of her husband, her home, the life she knew. A picture is taken, capturing the moment. It becomes a symbol; of help freely given and of the hope of the survivors. The faces in the picture cannot be recognised, and that is how Ben likes it. No celebrity, thanks not required.

But others believe that being identified as the person in the picture is their path to fame and fortune. Ben stands, unknowingly, in their way, but nothing a contract killing cannot fix.

Roger Bray on Amazon –

https://www.amazon.co.uk/Roger-Bray/e/B0725KF3NF/ref=sr_ntt_srch_lnk_1?qid=1523285262&sr=1-1

Author Bio –

Roger Bray2

I have always loved writing; putting words onto a page and bringing characters to life. I can almost feel myself becoming immersed into their lives, living with their fears and triumphs. Thus, my writing process becomes an endless series of questions. What would she or he do, how would they react, is this in keeping with their character? Strange as it sounds, I don’t like leaving characters in cliffhanging situations without giving them an ending, whichever way it develops. My life to date is what compels me to seek a just outcome, the good will overcome and the bad will be punished. More though, I tend to see my characters as everyday people in extraordinary circumstances, but in which we may all find our selves if the planets align wrongly or for whatever reason you might consider. Of course, most novels are autobiographical in some way. You must draw on your own experiences of life and from events you have experienced to get the inspiration. My life has been an endless adventure. Serving in the Navy, fighting in wars, serving as a Police officer and the experiences each one of those have brought have all drawn me to this point, but it was a downside to my police service that was the catalyst for my writing. Medically retired after being seriously injured while protecting a woman in a domestic violence situation I then experienced the other side of life. Depression and rejection. Giving truth to the oft said saying that when one door closes another opens I pulled myself up and enrolled in college gaining bachelor and master degrees, for my own development rather than any professional need. The process of learning, of getting words down onto the page again relit my passion for writing in a way that I hadn’t felt since high school. So here we are, two books published and another on track. Where it will take me I have no idea but I am going to enjoy getting there and if my writing can bring some small pleasure into people’s lives along the way, then I consider that I will have succeeded in life.

Social Media Links –

https://twitter.com/rogerbray22

https://www.facebook.com/rogerbraybooks/

https://rogerbraybooks.com/

Check out the rest of the blog tour for reviews, and more, with these awesome book bloggers…..

The Picture blog tour

Enjoy!

#CoverReveal #NeedleSongBook by Russell Day @rfdaze @fahrenheitpress @damppebbles

I’m very pleased to be joining in with Russell Day’s Needle Song cover reveal today! 🙂

Book Blurb:

Spending the night with a beautiful woman would be a good alibi, if the body in the next room wasn’t her husband.

Doc Slidesmith has a habit of knowing things he shouldn’t. He knows the woman Chris Rudjer meets online is married. He knows the adult fun she’s looking for is likely to be short lived. And when her husband’s killed, he knows Chris Rudjer didn’t do it.

Only trouble is the police disagree and no one wants to waste time investigating an open and shut case.

No one except Doc.

Using lies, blackmail and a loaded pack of Tarot cards, Doc sets about looking for the truth – but the more truth he finds, the less he thinks his friend is going to like it.

How good does that sound and how awesome is this cover! 

⇓⇓⇓

Needle Song cover

FREE RUSSELL DAY SHORT STORY IN EXCHANGE FOR A TWEET:

Russell Day came to Fahrenheit Presses attention when they asked for submissions for their NOIRVILLE short story competition. A panel of judges placed Day’s stories in first AND SECOND place! Only one of the stories features in the NOIRVILLE anthology which means we’re giving the second story away for FREE, you lucky people!…….(well, free in exchange for a tweet!).

To receive a copy of Russell Day’s award-winning story, make sure you’re following @damppebbles (so you can receive the DM with the download links) and then tweet the following:

NEEDLE SONG by Russell Day (@rfdaze) published by @fahrenheitpress in eBook on Monday 30th April! #NeedleSongBook | @damppebbles. https://fahrenheit-press.myshopify.com/products/russell-day-needle-song-ebook-kindle-version 

No retweets, it has to be a shiny new tweet otherwise it won’t count! Any problems then please contact @damppebbles.

Get tweeting! 🙂

About Russell Day:

Russell Day

Russell Day was born in 1966 and grew up in Harlesden, NW10 – a geographic region searching for an alibi. From an early age it was clear the only things he cared about were motorcycles, tattoos and writing. At a later stage he added family life to his list of interests and now lives with his wife and two children. He’s still in London, but has moved south of the river for the milder climate.

Although he only writes crime fiction Russ doesn’t consider his work restricted. ‘As long as there have been people there has been crime, as long as there are people there will be crime.’ That attitude leaves a lot of scope for settings and characters. One of the first short stories he had published, The Second Rat and the Automatic Nun, was a double-cross story set in a world where the church had taken over policing. In his first novel, Needle Song, an amateur detective employs logic, psychology and a loaded pack of tarot cards to investigate a death.

#Ghost by Helen Grant @helengrantsays @FledglingPress #BlogTour #AuthorInterview @LoveBooksGroup

I am delighted to be joining in with Helen Grant’s Ghost blog tour today 🙂

Ghost blog tour

Many thanks to Kelly Lacey, at Love Books Group, for arranging the following interview with Helen Grant…..

Helen Grant

For those who don’t know already, could you tell us about yourself and your book(s) please?

I was born in London but I and my family lived abroad for quite a long time, in Spain, Germany and Belgium. In 2011 we moved back to Perthshire, Scotland and I think we are here to stay! If there’s one thing I’ve learned from travelling about, it’s that I’m a country girl and not a city girl.

I write Gothic thrillers, and ghost stories – these are also very much the things I like to read myself! I’ve written six Young Adult novels (the most recent was called Urban Legends) but my new book, which is called Ghost, is aimed at adults. It’s about a young girl, Augusta McAndrew, who has grown up in a rambling mansion on a remote Scottish estate. She has only ever interacted with her grandmother, Rose, so she knows very little about the wider world…until a young man called Tom arrives, with some startling news from outside.

Where did/do you get your ideas from?

I tend to get my ideas from places where I have lived, or which I have visited. I’m very much inspired by real life locations. My first novel, The Vanishing of Katharina Linden, was inspired by the history and legends of Bad Münstereifel, the town where we lived in Germany. My new book, Ghost, was directly inspired by my experiences of living in Perthshire. I love exploring historical buildings, and I have a particular interest in the lost country houses of Scotland. There were many grand mansions built in the 1800s and abandoned in the 20th century when they became too expensive to maintain. Some of them were demolished; some were even blown up! But some are still sitting there, crumbling away in the middle of nowhere. I’ve visited a few of those. I find it really fascinating. Uusually when they were abandoned, the roof was taken off and some of the internal features like wood panelling were removed. Once the weather gets inside, a building decays much more quickly. I started to think about what would happen if the last owners had just locked up and walked away, without partly dismantling the house first, and leaving everything inside it. And that is where I got the idea for Langlands House in Ghost.

Are any of your characters based (however loosely) on anyone you know?

I’ve only ever directly based a character on a real person once. In my first novel, the heroine’s mother, Kate Kolvenbach, is based on me. She says all the sorts of things I used to say to my kids, like “If you don’t clear it up, it’s going in the bin.” When I first showed the book to literary agents, one of them said, “I love your book, but Pia’s mother…what a bitch!” Oops! I have to laugh about that.

The characters in Ghost are not based on real people, but Tom is named after my maternal grandfather, whose name was Thomas. I suppose there is a little bit of my own grandmother, Alice, in Rose McAndrew (Augusta’s grandmother), too. Rose is strong and caring but quite unsentimental, and I remember my gran being a little like that.

How do you pick your characters’ names?

I tend to choose first names which I personally find attractive, and which I think reflect the personality of the character. I really like Tom as a boys’ name. It’s a classic name too, so it fits quite well with the timeless nature of the book. I’m rather fond of unusual names, too. I’ve had characters called Julius, Veerle and Tuesday in previous books!

The heroine of Ghost has grown up in this very old-fashioned environment, so I wanted to choose a name that reflected that. That was partly why I went for Augusta; I also wanted a name that could be shortened to her nickname in the book.

When I’m choosing surnames, I tend to think about which names are popular in the place where the book is set. Sometimes I even consult the telephone directory, to get ideas! Ideally I like to find something that fits the setting, but isn’t too unusual. If there is only one real life person of that name living in the real location, they might think the character is based on them, and they might be offended. So I usually choose something reasonably common for that place.

Can you share your writing process with us, in a nutshell?

In a nutshell? Discipline. When I’m working on something, I give myself a word target and try to stick to it. Even if I don’t feel very inspired on a particular day, it’s easier to go back and edit something I’ve written than to catch up if I haven’t written anything at all…

Thinking ahead is also important. Whilst I’m working on a novel, I’m usually thinking hard about what I’m going to write next.

Who are your top 5 favourite authors?

I’m a big fan of the classic writers Wilkie Collins and Anthony Trollope. I love Collins’ wild plots and colourful characters. I like Trollope’s books because of the moral dilemmas he puts his characters into. I get very engrossed in his books. I could debate questions like “whom should the heroine marry?” for hours, if I could find anyone else to do it!

I’m also a huge fan of the ghost story writer M.R.James. I find the weird and understated horrors in his stories really chilling in a pleasurable way.

I think my favourite living author is John Ajvide Lindqvist, the Swedish writer. His best known book is probably Let the Right One In but I have read all his others too. He is one of the few authors whose books I pre-order in hardback, I love his work so much!

I also really like the ghostly books of Michelle Paver (Dark Matter and Thin Air). If she writes any more of those, I will definitely be pouncing on them, the minute they are on sale!

If you could meet any author, who would it be and what would you ask them?

Can I choose a dead one? I’d meet Charles Dickens and I would say: For the love of God, tell me what happens at the end of The Mystery of Edwin Drood!

I bought that book a few years ago and when it arrived, it was a big thick volume. So I assumed that the novel – which was unfinished – was at least mostly finished. Big mistake. Only part of the book was Edwin Drood – the rest was other works by Dickens.

So I was just getting into the story when it stopped. There really wasn’t enough to hazard a guess about what was going to happen later. Argh!

I think a big advantage of meeting Dickens and asking him this question would be that I would then be in possession of a wildly exciting bit of information! (Well, wildly exciting for Victorian book geeks, anyway.) So I’d have a lot of fun giving interviews about what he had told me!

Were you a big reader as a child?

Yes! My mum tells me that I used to read everything I could lay hands on, including bus tickets and the telephone directory.

When I was a child, my bookshelves were full of books my parents had owned when they were kids in the 1930s and 1940s. So I grew up reading lot of classics like The Silver Fairy Book and H. Rider Haggard’s She, mixed in with things like the Buffalo Bill Annual!

For a while my parents wouldn’t let me read any of the books on their own shelves in case I “spoiled” the books for myself by reading them when I was too young to appreciate them properly. When I was 10, they discussed this with my school teacher who said they should just let me read anything. So they said I could. I went straight to the bookshelf and picked out The Lost World. I’d had my eye on that for ages, because it had a brilliant picture on the front cover, of explorers confronting a Tyrannosaurus Rex!

When did you start to write?

I’ve always written bits and pieces, but I started writing in earnest when my youngest child started kindergarten in 2003. I started with articles and short stories, before working my way up to a full length novel. My first book came out in 2009.

If you could re-write the ending to any book what would it be and what would you change?

Oh dear – I’m going to sound as though I never read anything modern…I think I’d choose Frankenstein. I feel so sorry for the monster! He didn’t ask to be created so ugly. I think I’d get Frankenstein to go through with building a lady monster to be a companion for him. (In the novel, he starts on this work but then destroys it in disgust.) I’ve always thought it was mean of him not to do that.

Is there a book you wish you had written?

Hmmm….World War Z, perhaps. I really like that book, plus it must be lovely to have your book made into a blockbuster movie starring Brad Pitt, and partly filmed in Glasgow. (Can you hear the wistful tone in my voice?!)

If you wrote an autobiography, what would your title be?

I feel it ought to be something thoroughly Gothic, with decay and doom somehow worked into the title. However, it might be nice to go for something a bit more upbeat. I love writing, after all, even if my books are full of bizarre deaths, murders and weird local legends. So perhaps I’d go for Say Yes. My dad related this story at my wedding: apparently when I was a child, I would ask a question and if I wanted the answer to be “yes” I would immediately follow it up with “Say Yes!” He managed to imply that I had persuaded my husband to marry me by using this same technique…! (Cheeky.) Anyway, I have tried to “say yes” to the things life has flung at me, such as moving abroad when we had two small children. So I’d choose that.

If you could invite any fictional character for coffee who would it be and where would you take them?

Can I have two? I’d pick the father and son out of Cormac McCarthy’s post apocalyptic novel The Road. I’d take them right out of the book. I found reading that book so stressful, because I just kept worrying about the little boy and also worrying about his dad coping with having to look after a child in that awful world. I think I’d take them both to the café at Highland Safaris in Aberfeldy, where I would feed them up with coffee, hot chocolate and huge slices of cake. And I wouldn’t let them go back into the book again!

What are you working on right now?

I’ve got various projects on the go, but what is most occupying my mind right now is my next book. I haven’t started writing it, but I’ve spent a lot of time thinking about it. I want to get everything clear in my head first; I want to feel that I really know the characters and their motivations. I think this one is also going to be set in Perthshire. A couple of years ago, I visited an interesting historical site (not an abandoned mansion this time – a ruined church and graveyard) and that was what gave me the idea. I’m going to be dialling the creepiness up to the max in this one.

Tell us about your last release? Do you have a new release due?

My most recent release was Ghost, which was published in February. I don’t want to give any spoilers, but here’s what it says on the back cover:

Langlands House is haunted, but not by the ghost you think.

Augusta McAndrew lives on a remote Scottish estate with her grandmother, Rose. For her own safety, she hides from outsiders, as she has done her entire life. Visitors are few and far between – everyone knows that Langlands House is haunted.

One day Rose goes out and never returns, leaving Augusta utterly alone. Then Tom McAllister arrives – good-looking and fascinating, but dangerous. What he has to tell her could tear her whole world apart.

As Tom and Augusta become ever closer, they must face the question: is love enough to overcome the ghosts of the past?

I think that last question, about love, is important. As well as being a mystery, Ghost is a love story. Also, as one reviewer said, ” Ghost is truly haunted from cover to cover.”

What do you generally do to celebrate on publication day?

Ha! I don’t tend to do very much at all. Over the years, I’ve been very busy on my various publication days…several times, we have been in the middle of moving from one country to another. So I definitely don’t take a day off and pop champagne corks! But I do take a few quiet moments to think about the book and the journey I have gone through to get to publication day. Ghost is really special to me, because it is my first adult book and the first of my books to be set in Scotland. I’ve spent quite a lot of time just looking at the printed copies of it and thinking: Wow: it’s really here.

How can readers keep in touch with you?

I’m on Twitter as @helengrantsays – I’m a bit of social media fiend, logging on first thing in the morning and checking it late at night before I go to bed. So I can mostly be found over there! I do try to reply to all questions or comments. I also have a blog on my website, at http://helengrantbooks.blogspot.co.uk/ and I have a Facebook page called Helen Grant books page!

Is there anything else you would like us to know?

I’d really like to thank anyone who supports Ghost, by reading it, reviewing it or telling their friends about it – and of course, the lovely bloggers taking part in the Ghost blog tour!

Thanks so much for taking the time to answer my questions, Helen 🙂

Ghost cover

Synopsis


Langlands House is haunted, but not by the ghost you think.


Augusta McAndrew lives on a remote Scottish estate with her grandmother, Rose. For her own safety, she hides from outsiders, as she has done her entire life. Visitors are few and far between – everyone knows that Langlands House is haunted.


One day Rose goes out and never returns, leaving Augusta utterly alone. Then Tom McAllister arrives – good-looking and fascinating, but dangerous. What he has to tell her could tear her whole world apart.


As Tom and Augusta become ever closer, they must face the question: is love enough to overcome the ghosts of the past?


In the end, Langlands House and its inhabitants hold more secrets than they did in the beginning…

Author Bio

Helen Grant writes thrillers with a Gothic flavour and ghost stories. Her first novel, The Vanishing of Katharina Linden, was shortlisted for the CILIP Carnegie Medal and won an ALA Alex Award in the US. Her other books include the exciting Forbidden Spaces trilogy.

Helen’s latest novel Ghost (Fledgling Press 2018) is set in Perthshire, where she has lived since 2011. When she is not writing, Helen loves to research the lost country houses of Scotland and to visit the sites where possible. Her experiences of exploring these fascinating places inspired her to write Ghost. 

#AuthorInterview with Mary Grand @authormaryg

Today I have the pleasure of welcoming Mary Grand to Chat About Books 🙂

Mary Grand

For those who don’t know already, could you tell us about yourself and your book(s) please?

Thank you so much for inviting me along.

I grew up in Wales but I now live on the Isle of Wight with my family and cocker spaniel, Pepper. (There is usually a cocker spaniel somewhere in my stories!)

I write Woman’s Fiction, the central character is usually a woman at a decisive point in her life.

‘Free to Be Tegan’ is my debut novel about Tegan’s recovery from her upbringing in a cult. My second novel ‘Hidden Chapters’ is set on the spectacular Gower Peninsula and is about Catrin an adoptive mother of a Deaf child, Bethan, and their meeting with Bethan’s birth mother, Elizabeth. I have recently published my third novel ‘Behind the Smile’. This is about Lowri who moves to an idyllic village but soon finds that the smiles that greet her hide dark secrets. I have also published two short collections of short stories ‘Catching the Light’ and ‘Making Changes’. ‘Catching the Light’ is also available as an audio book.

Where did/do you get your ideas from?

The seeds of my ideas relate to my own experiences and places that are important to me. For example, Hidden Chapters was originally inspired by the mysterious island of Worm’s Head which is linked to Rhossili Bay by a causeway, a place I visited a lot as a child.

Worm's Head

“ Behind the Smile” is set on Mottistone Down where I walk my dog .Not only is it incredibly beautiful but it has the ancient Longstone and an Elizabethan manor tucked in the woods behind it.

Mottistone Down & Pepper

Are any of your characters based (however loosely) on anyone you know?

In my first novel Free to Be Tegan the cult leader Daniel is partly inspired by some of the teachers within the sect where I was brought up in. I experienced how they used fear as a weapon of control. It was important to me that Tegan not only left the cult but developed an understanding of what had happened to her. Her confrontation with Daniel is a pivotal point in her story.

How do you pick your characters names?

I love choosing the names of my characters! I often research the meaning or the name but sometimes the name will just come to me and be right for that person. On a practical note, for the reader I try not to have two characters with names starting with the same initial.

Can you share your writing process with us, in a nutshell?

Before I start writing I roughly plot my novel. I work on the main character arcs; research the topics and the setting. During the writing I re plot many times, and characters can change a great deal.

Who are your top 5 favourite authors?

Just five?!

Lianne Moriarty, Victoria Hislop, Sarah Dunant, Joanna Trollope, and Agatha Christie.

If you could meet any author, who would it be and what would you ask them?

I would like to meet Sarah Dunant and talk to her about how she manages to seamlessly fold so much interesting research into her stories.

Were you a big reader as a child?

My dad took us to the library every Saturday, and from my parents example books became an integral part of my life. Despite being in a sect my parents were very liberal about what we were allowed to read. Books introduced me to a much richer, warmer world.

When did you start to write?

I started writing seriously about six years ago.

If you could re-write the ending to any book what would it be and what would you change?

I would re write the end of Jane Eyre! It has to be one of my favourite books but I have never been comfortable with the treatment of the character of Bertha Rochester, “the madwoman in the attic”. She is described as a demon and locked away in a room. I hate her horrible, violent ending, with her jumping to her death. There has to be a better and more empathetic way to portray and treat this deeply unhappy and disturbed woman.

Is there a book you wish you had written?

Rebecca by Daphne Du Maurier. I would love to have her ability to describe a setting and atmosphere. It is an amazing story. Staggeringly beautiful.

If you wrote an autobiography, what would your title be?

Feeling the Fear but Doing it Anyway.

If you could invite any fictional character for coffee who would it be and where would you take them?

I would invite a minor character such as Charlotte Lucas in Pride and Prejudice. I would like to understand her better; she seems a good woman and loyal friend and doesn’t really get much chance to talk about the way she feels. I would take her for afternoon tea at the Ritz.

What are you working on right now?

My new book is to be set here on the Isle of Wight. Its early days to share too much but it will be about a woman, Anya, who looses her husband suddenly and in mysterious circumstances.

Tell us about your last release?

I have recently published Behind the Smile. It is a dark family drama and explores what people are hiding behind a mask of fake smiles. The central character is Lowri and at the beginning of the novel we find her pregnant, facially scarred from a car accident, abandoned by her lover. She decides to reunite with her husband and move to the idyllic village of Elmstone on the Isle of Wight. Lowri is deeply unhappy but hides her feelings. She is befriended by Carina, the beautiful Italian woman living in Elmstone manor, and Heather, the popular local café proprietor. Both appear to Lowri to have perfect lives. However she slowly discovers that Heather and Carina are also both living a lie, that behind their smiles lie secrets, addictions and an obsession that threatens to destroy her.

Do you have a new release due?

Not yet!

What do you generally do to celebrate on publication day?

It is usually a very busy, emotional day. It is a nerve wracking day as you send your new book into the world and wait to see how readers will respond. I am very fortunate to be in touch with a lot of my readers on line, I love social media! I spend the day chatting, letting people know the book is out, and contacting groups I am involved with. There is then a flurry of replies and conversations rush around. There is normally a large glass of wine with family at the end of it!

How can readers keep in touch with you?

Facebook: https://www.facebook.com/Author-Mary-Grand-1584393925166154

Twitter: @authormaryg

Amazon Author Page: https://www.amazon.co.uk/Mary-Grand/e/B00UEHEXMK

Goodreads: https://www.goodreads.com/author/dashboard

Email: marygrand90@yahoo.co.uk

Website: marygrand.net

Is there anything else you would like us to know?

Just to say a very big thank you Kerry for inviting me onto your blog. The work you do supporting writers is invaluable, thank you.

Thank you for taking the time to answer my questions, Mary 🙂

Behind The Smile

An emotionally charged, totally gripping story that will keep you turning the pages late into the night..
Lowri is pregnant, looking forward to a new life with her lover, Simon. But her plans are shattered. She finds herself alone, her face scarred, her future uncertain
Her estranged husband, Jack, proposes they “settle” for each other, and raise Lowri’s unborn child on the Isle of Wight, in the idyllic village of Elmstone.
Lowri is befriended by Carina, the beautiful Italian woman living in Elmstone Manor, and Heather, the popular local café proprietor. However, she soon discovers that no-one is the person they appear.
What dark secrets is Heather hiding from her family and from the village?
Why is Carina desperate for Lowri to fail in her new life and prepared to go to increasingly desperate lengths to destroy her?
As she confronts her own insecurities, and faces another devastating loss, will Lowri find the courage to be proud of the person she is hiding behind the smile? Will she find true love amid the confusion and intrigue?

Book Links

Free to Be Tegan

https://www.amazon.co.uk/Free-Be-Tegan-cult-herself-ebook/dp/B00UC9R1YM/ref=asap_bc?ie=UTF8

Hidden Chapters

https://www.amazon.co.uk/dp/B01L0EZ6MQ

Short Stories

Catching the Light

https://www.amazon.co.uk/dp/B01AGWVQJ0

Making Changes

http://amzn.eu/5jbCEv2

Enjoy!

A #GuestPost by #Author Carol Roberts @authorRobertsC & #Giveaway

Today I have the pleasure of welcoming Carol Roberts to Chat About Books 🙂

Carol Roberts

Guest post…..

I have always been fascinated by the Atlantis-myth, the story of an advanced city about 9000 years ago, that mysteriously disappeared. In more recent years, researchers, including the National Geographic Society, have taken a new look at these stories, mapping possible locations of this lost land. But to me it was more the question of why and how, that intrigued me, rather than the where and when.

I started to write Atlantis in my late twenties. It was a culmination of my travels to destinations like the Himalayas in India, and the Andes in Peru, that once were home to cultures and traditions no longer existent. As a free lance writer I was keen to dig deep into the question of why some cultures simply disappear, and the undying mystique they leave behind.

The Atlantis-myth, like the stories of other such lost civilizations, tells of a culture more knowledgeable than others, with highly developed skills, that are perceived as the cause of their own, eventual undoing. They were said to be fine-tuned to the power of energy and light, able to use it for various purposes, only to ultimately abuse it.

For me, it was the speculative nature of the myth that kept me inspired, and as a consequence Atlantis was written in many different stages over the course of several years. But still I was not satisfied, until I realized that if I wanted to find my own answer to the question, I had to look within. What could be so important for such myths to survive? Could our collective psyche try to preserve something not in our current awareness, yet lying deep within, buried beneath layers of time?

If so, then I had to look back in time, at other literature preserving knowledge as to the nature of man, and when I finally arrived at the story of creation, I could see new meaning, like a new light shining upon contexts of old. It was all there, the challenge of our own evolution exposed; the implications of polarity and the consequent outcomes of individual as well as collective destiny. It was at that point that I could finally complete Atlantis.

Atlantis cover

Many thanks for taking the time to write a guest post for Chat About Books, Carol 🙂

Here is the blurb

When Alanthea, high-priestess of Atlantis, connects to a woman in her dreams, she becomes haunted by a mystery. Compelled to trace the other woman’s life she finds coded poems that hold clues to the predicament of her people. Now she has to venture ever farther into forbidden territory to link past and present, and understand the real danger threatening Atlantis.

Arakon always thought of himself as an orphan, a loner without any real belonging. But after a strange encounter his life changes, and he is drawn into events beyond his control.

They move parallel in their search for answers until their destinies converge, and the weave unravels. Yet what they finally uncover lies deep at the heart of collective evolution, and what has been set in motion cannot be undone.

Buy link:  

https://www.amazon.com/gp/aw/d/B0777J2MC8/ 

Amazon author page:

https://www.amazon.com/Carol-Roberts/e/B077JX4SWD/ref=dp_byline_cont_ebooks_1
Twitter @authorRobertsC

Bio

Carol Roberts is an author and member of the Visionary Fiction Alliance. She writes visionary/metaphysical genre cross fantasy. She is also a free lance writer with particular interest in cultural myth. Originally from Vienna, she has spent all of her adult life in the Far North of New Zealand. Her work took her to several different countries, where she indulged her fascination with stories, particularly those dealing with the creation of man. ‘Atlantis’ is her first full length novel; speculating on concepts of the human condition, the meaning of individual and collective destiny, and choices.

Giveaway…..

For your chance to win an e-book copy of Atlantis, courtesy of the lovely author herself, all you have to do is comment ‘Yes please’ on this post and I will choose a winner at random.

**The winner will be able to choose whichever e-book format suits them best (a file via Calibre or kindle gift via amazon) and it will be sent directly from the author**

Good luck!

Thanks in advance for entering!